The Orchestrion Project gets its name, and its creative origins, from the mechanically automated orchestras created since the late 1700s. Those early orchestrions expanded on the concept of a player piano allowing for the automated playing of music across multiple instruments. Metheny was inspired by these mechanical ensembles and by the advancing promise of technology. This is a musician who regularly refers to the concepts of Ray Kurzweil to help explain his own work. The creation of mechanical acoustic devices has continued right into the present, but Metheny has taken the idea into a different direction. Rather than simply arrange a musical composition to be played across multiple instruments, he organically builds the voice of each instrument using his improvisational riffs on the guitar. In a sense he’s created a live version of an elaborate over-dubbing studio session wherein he is playing and responding to his improvisation as it is expressed in other instruments. Looks complicated, sounds amazing:
As Metheny describes in related videos on his website, it took a large team of inventors to provide all of the automated instruments in his Orchestrion Project. There’s a Yamaha Disklavier, a bottle ensemble created by the Peterson Company, an electric bass by Ken Caulkins, and many more. Each instrument is acoustic or acoustic-electric, providing for a rich and full sound that synthesizers would be unable to fully mimic in a concert environment.